r T 

MEADE 










* \ ^ V] - /> * O > -s, 

aV c ° sc * o 0 s 

^ L ° t> * 





V*:.' *'V' \''''.r::>\# %/.;:>'> s .., 

0 v.V s'”'* > ,A *«4 <7 \> v s ' / 

»**«> aV 3 s. A ♦'VtfA’e % ..y --jC! 


**L K 


«' <0 


% : 

v»;ro’>° , 0 

* A> J y a ^ * *f> 

« >7 A * oA f y> /)«° <\< 

v' „ «n\;.%, ° ,J <s> *v 


’.o' o!-♦• 

rfV - I ^ V 

J cS .O ^ ^ 0 * >» 

T*« * l 1 * z> <> 

; -oo' •’ ‘/ ; ■'■'■' ^ V* ° AfelK 'oo 1 



c#*_ ^, ^july¥& \ 

A „ *' ■>' 






*• or' > >. ' - r '\* (vO O-, ^ rr :' V A-' <P 






A V ^ 

s.V- 'V *> * 

y -A . <P ' '^ L y-x* > r V 

. -* . A O ^ / , s <6 

c 0 N 0 * A- * * 0^ <1 V I 8 * ^ 

<T * 4 O 0 .v V „.,/K^ -1 *? V 

.n , v ; v .v 


% 

<p 






° r> .<t, 

<?n ^ o 


rV v ^ ^ 






^ ML \Uf/S^ * **>> ^ 

^ r ^w^aKr^a^r * ^ vv 

•■'■'x,y 4 v• • u %*•“• ! /;,..,% *V*’-• / * -., 

^ V <^' .. Vj^\y * />y ^ ■> S»S - «? 

-A ' y 0 « X ^ A 

^ t A N t° Nc < **Q .cy v* V ^ 



r >r ^.y y rp 

0 H 0 A'J 

f ** > (Y- * °s 










^ CA 


-o, • *, r,. 'V v % s To ’’ a v 'fe. 

CN < r£ '■’ Jw. / A, pv <1 







H ^ 


«\y ^o. - ^ « c> '«<■ o WW\\Y ~ A y 

’ A ?, ' v V.- A' <, 'o.A A 

A* . c ° „ % ^ 0° A W'' ^ ^ » c -x % ^ 

^ ^ M ~ r ^ ^ ^ ^ ^ y 









cp o 

- >* # " % 
s' , , . C 7 

0- v * v fi * ^ 

0 V * d 


a A ^ C 5 » # V V 

* A" l'° " “ S ™" K ” ^ ^ 





> -V <?> J 


« 7 > ,s ,i 

o N c , ^ * # ^ 


\ 1 ft 



^ 0c u. 

*£-. s ^V* 1 v Ci J > A ^ 

^ ^ i. ' * rP Cr * 

* . ^*. ^ 0 N 0 * A 0 ^ * 

'>v -> , 0 ' ^ 



A- ^ a> 




- **V a 


# I 1 


# H I A \V 




aV 



<J> 




$ 

oV 






* 4' 


■P 1 * 

c#- 

J n _ . ^ /\ O 

l “*^ V>A*- c «.-*o 

\ 0C ^, 

^ ^ ' + 

* S\ cl /- 





A' 




J o » \ ^ 






,v ^ 


'O. »,i 

"«, %. ", v N 

<o P -*A y ^ ^fs- 



\ 0o x. 



V V 

» 


C ^ 

^ ♦VI 

8 ^ ^ 

; V 


^ j&^t/ 



* ^ V. X ^ 

c y o * X ^ A _. o. * / 

<o . 4 ' , 0 *• C . r- 




'/ L> 



V c» Ne « -^o ' j° 

^4- ^ 

\0 o^ v , *■ !H..^_/ 4 * 

■ ^ y *%- ' 

...%,- •..'*' -*■ 


- "v Z 

a> 

y o <, x ■* A 
x 

+ * ^ 

^ a\ v 

■■* V s 

<f 

\ 0c L 

<,%•' <p_ y nn>j " a cr i, 

>' v'l^\ > A' *.-“»r^ 


y % -. 



o, ^ / 




o. 
















w 



■ A* A 

% v :M‘ '■w 
vv ,yggnr* .v 

*, <£> l( °' s* % ^ .** 

^ A x 

•>* V ** 4 * i ^ * e 

o o x , A-., • ■< A V 

4 -y * ■ p v 0 o 

^ T > 1 N A 

\ < =K y 0 o 0 C\ * 





"V w • 

>n\* v V V _ _ r ^ * .o N o ’ ^9 °, ' * 8 I \ 

v> S ! ’* ',, N cp 81 

* A « aVa, n Vv «\i 

y U * K * a\ 




& y ; ^ rr s a > * * ^ 

^ cO N ^V“° o*° “ V ’^ *<* V N ° s 

. *fe 0 x */• V s - y^:A 




A ^ 

Of* 



<. A 

J A v : 

>° ‘u *• ^ 

♦**• A®’ V-n, 

\v* ^ \ * o .. 


C ' “ •' * ,a a 




. 

<."'<, * A o■'* 7 

* * , % > X C 0 N c * V 0 



•0 s 









C- * ^S^x* o X 

^ * « i i* ^ 

*'*«* C\ V * s '* 

: **A ‘Jgfe: 

I" ■ "/,-’■•' ■"■< ^ v* N » ' 









•^, „ ^Sr. 'i^r ^ oV 

%-V .5 M o 0 ^ ,/. 

A 0- V 

v* 52 $* ** 

* ^ .C* * 4\ <■ A, * ^ 

v v - mm//Ai ; ^ 

,A' ,/> “ ~ - ' 1 , ': “ C 

< ' o * k* A o, /„7*^ s > o V 

,o* .•';*% % .c"••'♦,%'**' c o^ .* 







- " k » a ^ v. * • \%*QPsA ^ -,w,\ 







A -U 



r (? J* *. «»» 

^ V ao SSvSVfe^/yVii y ^ «\' 

'<j> • ^ v/ 

^ ^'Ts^ ,o f 

x #‘ -f >V a\ V -A U S ' A 60 2 -' A 

-ot' . V • '^ AV 

■ I | : 'M‘A* ^ •'* * v”' » ^ Oo - - 

O 

'°- >■* -S> ,0 

•o^fiML'. w . '•'•>■ : 'v . 'oo' .' 

b- 00 - - & -u, " ¥ ■ - ». 0<9 - ' ^ ^ * 

A' a ^ > ^<?7s x ^ -j ^ ^ <& v ' 

V. 


v- S ' 0 < 

»• A ,*©N»*. * ' w:i - * «- A * 

\ < 

■* n „ l ^ 4 ^ .. it O ^ 

0 K C . ‘ > , V » « A 




*9. k+ A ^ '3L 

^ , 0 N c * V o 




. V ^ 0 0 ' 




•>y \ 


00 


4 •/. 

> 


"■ C 




* ^ 

jOo^. 



v V 




\W; v \ VW,* ^ ^ - 

%.*'*•*' / .>'-, a v °' 1 ;/ <•*• *<"* ''.oA-*'“' 1 " >' 

^ , v. >v^o _ ’ ^ 

4 n^/r/Tp^ * -\V 

O 






V ' 0 * x a\ oN« ( '4 

f - % V* 

\0 o 

- 0 ^ +A%aM * _^ 

r a0‘ 







V S S 'a ^ A V ^ ^ 1 u 

- 


cv 

Jl /. 

, Us* * 

1 '* v^ 

V 

r* 

A** ‘V 



A V ^ ' * '* f 

SA 















































































































SPECIMENS 

BOOK AND JOB TYPE 

Tuttle, Morehouse & Taylor, 

PRINTERS AND BOOK BINDERS, 

Tpgqkliri IViqtiqg Works, 

371 State St., New Haven, Conn. 

1877. 








>f -7j 


GIFT 

HISPANIC SOCIETY 
OF AMERICA 
AOG. 4, 1941 


A ^ ^E issue this Book of Specimens to show the different fonts of 
* * Book and Job Type and Ornamental Border in use in our 
Printing Office. 

The wants of our business and the demands of our customers for 
the newest and latest styles of Type, compel us to constantly add 
to our assortment, which has grown to such magnitude we are 
forced to prepare a Specimen Book for our own convenience, and 
have printed a small edition for distribution. 


Any kind of Type not found in our book is purchased if work 
demands. 




Price Lists, Mathematical and Scientific Works are a specialty 
with us ; our facilities in this line are unsurpassed. 


Our office is supplied with First Class Printing Presses, and 
our Bindery with new machinery. 

Our business experience dates back more than a quarter of a 
century. 

Our employees have mostly been with us for a term of years, 
a large number from boyhood. 

Our customers are found in all parts of our wide country. 

Our work is first class , and our prices low and uniform for the 
work done. 


TUTTLE, MOREHOUSE & TAYLOR. 


















buttle, ]Vlofel)ou$e & Ykylof’^ 



PEARL—F. L. & Co. 

The crowding together of heavy-faced type—expressively called “ loud” by printers—with but little space between the lines to relieve them, 
in such descriptions of work as business cards ; letter, note, and bill-heads; blanks; circulars (except small hand-bills); title-pages; and other 
kinds of printing intended more particularly for private circulation and perusal, we consider in bad taste. It is true that patrons frequently 
demand such arrangements under the mistaken idea that they are getting a more “ telling” effect. But we suspect this occurs, in many eases, 
more from the spirit of imitating others than from reflection about the matter. What advantage accrues by so flagrant a departure from every 
rule of neatness, as is often exhibited by printers as well as customers in this respect, we have as yet failed to discover, holding, as we do that 
clearly defined elegance—distinct, but well relieved liberal margins—is far more impressive upon popular appreciation than the blackest 
clumsiness. 

The lines of display composition to be attractive must vary in size and degrees of strength, exhibiting, as it were, the effects of light and 
shade. A long line should be placed between two shorter ones neither of the same length, and these again harmonized to others longer or shorter 
than themselves. Several lines of the same length (except in poster work between rules) following each other, do not look neat. Lines of large 
heavy letters need to be relieved with smaller light ones in the same manner. 

ABCDEFQHIJKLMNOPQRSTUVWXYZ* 123456789 


AGATE—F. L. & Co. 

The crowding together of heavy-faced type—expressively called “ loud” by printers—with but little space 
between lines to relieve them, in such descriptions of work as business cards ; letter, note, and bill-heads ; blanks ; 
circulars (except small hand-bills); title-pages ; and other kinds of printing ntended more particularly for private 
circulation and perusal, we consider in bad taste. It is true that patrons frequently demand such arrangements 
under the mistaken idea that they are getting a more “ telling” effect. But we suspect that this occurs, in many 
cases, more from the spirit of imitating others than from reflection about the matter. What advantage accrues by 
so flagrant a departure from every rule of neatness, as is often exhibited by printers as well as customers in this 
respect, we have as yet failed to discover, holding, as we do that clearly defined elegance—distinct, but well 
relieved liberal margins—is far more impressive upon popular appreciation than the blackest clumsiness. 

The lines of display composition to be attractive must vary in sizes and degrees of strength, exhibiting, as it 
were, the effects of litrht and shade. A long line should be placed between two shorter one neither of the same 
length, and these again harmonized to others longer or shorter than themselves. Several lines of the same length 
(except in poster work between rules) following each other, do not look neat. Lines of large heavy letters need 
to be relieved with smaller light ones in the same manner. 

ABCDEF6H1JKLMNOPQEST UVWXYZ& 124456789 


MINION—F. L. & Co. 

The crowding together of heavy-faced type—expressively called “ loud ” by printers—with but 
little space between lines to relieve them, in such descriptions of work as business cards; letter, 
note, and bill-heads; blanks; circulars (except small hand-bills); title-pages; and other kinds of 
printing intended more particularly for private circulation and perusal, we consider in bad taste. 
It is true that patrons frequently demand such arrangements under the mistaken idea that they are 
getting a more “telling” effect. But we suspect that this occurs, in many cases, more from the 
spirit of imitating others than from reflection about the matter. What advantage accrues by so 
flagrant a departure from every rule of neatness, as is often exhibited by printers as well as 
customers in this respect, we have as yet failed to discover, holding, as we do that clearly defined 

The lines of display composition to be attractive must vary in sizes and degrees of strength, 
exhibiting, as it were, the effects of light and shade. A long line should be placed between two 
shorter ones neither of (he same length, and these again harmonized to others longer or shorter 
than themselves. Several lines of the same length (except in poster work between rules) following 
each other, do not look neat. Lines of large heavy letters need to be relieved with smaller light 
ones in the same manner. 

ABCDEFGIIIJKLMNOPQRSTUVWXYZ& 123456789 














































































































































































































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


BREVIER—F. L. & Co. 

The crowding together of heavy-faced type—expressively called “ loud” by printers—with 
but little space between the lines to relieve them, in such descriptions of work as business cards; 
letter, note, and bill-heads; blanks; circulars (except small hand-bills); title-pages; and other 
kinds of printing intended more particularly for private circulation and perusal, we consider in bad 
taste. It is true that patrons frequently demand such arrangements under the mistaken idea 
that they are getting a more “telling” effect. But we suspect that this occurs, in many cases, 
more from the spirit of imitating others than from reflection about the matter. What advantage 
accrues by so flagrant a departure from every rule of neatness, as is often exhibited by printers 

The lines of display composition to be attractive must vary in sizes and degrees of strength, 
exhibiting, as it were, the effects of light and shade. A long line should be placed between two 
shorter ones neither of the same length, and these again harmonized to others longer than them¬ 
selves. Several lines of the same length (except in poster work between rules) following each 

Accented Letters. 

i.AAA£t)£UQN A A g N XAAArikSEiiiidddotjdtiugN 

aaaaaaeeeeeeiiiiiioo666ouuduflugn 

daddddeSeeSeiiiiiiddoddduutiii'tiiipn 

DHKhyRSTZdhklnrstzDHKLJSrRSTZdhklnrstzkltjAtUilnm 

Chemical Letters. 

AAlBBBGC££FFFflKL£MM3£N:fr£RRffcsSS&TtJ£ 

Mathematical Characters. 

1234567890 - HlHHSH To*00 

+ - X ± = V l _ < > CT -□ 4f Z A 12 3 4 5 6 7 8 9 0 0 

Astronomical Signs. 

< F8n®Sl'nJi=^Tn,*V3£?'*€ ® • © (® O # © © * Q b‘ <5 <9 A □ 

$ 9 J If ^ 1 9 5 fi 3 3 ^ -h- O ~ ^ 

Commercial Characters. 


BOURGEOIS. 

The crowding together of heavy-faced type—expressively called “ loud ” by printers— 
with but little space between lines to relieve them, in such descriptions of work as business 
cards; letter, note, and bill-heads; blanks; circulars (except small hand-bills); title-pages; 
and other kinds of printing intended more particularly for private circulation and perusal, we 
consider in bad taste. It is true that patrons frequently demand such arrangements under 
the mistaken idea that they are getting a more “ telling ” effect. But we suspect that this 
occurs, in many cases, more from the spirit of imitating others than from reflection about the 
matter. What advantage accrues by so flagrant a departure from every rule of neatness, as 

The lines of display composition to be attractive must vary in sizes and degrees of strength, 
exhibiting, as it were, the effects of light and shade. A long line should be placed between 
two shorter ones neither of the same length, and these again harmonized to others longer or 
shorter than themselves. Several lines of the same length (except in poster work between 

















































. 







































































































• 
















































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


LONG PRIM HR—F. L. & Co. 

The crowding together of heavy-faced type—expressively called “ loud ” 
by printers—with but little space between lines to relieve them, in such 
descriptions of work as business cards; letter, note, and bill-heads; blanks; 
circulars (except small hand-bills); title-pages; and other kinds of printing 
intended more particularly for private circulation and perusal, we consider in 
bad taste. It is true that patrons frequently demand such arrangements under 


The lines of display composition to be attractive must vary in sizes and 
degrees of strength, exhibiting, as it were, the effects of light and shade. 
A long line should be placed between two shorter ones, neither of the same 
length, and these again harmonized to others longer or shorter than themselves. 

ABCDEFG abcdefg 123456789 


Accented Letters. 

a a a a a a eeeeee Ilili'i 066660 u ii ft 6 fl u £9 N n ii e 
a d & d d a e 6 6 e 6 e Wiiii 56 6 6 6 6 u ii H U il (f p N n 
DHKLNRSTZ dhklnrstzmnn Alt) 
DHKNRSTZ dhklnrstznoem 


Chemical Letters. 

AB€BEFGHIKBMNePftSTGW¥Z 

Astronomical Signs. 

t s t vs x. • o ® © ® * 8 6 <? □ 


Mathematical Characters. 

+ - X -r = ± V *— < > * : :: c- jd 


1 2 3 4 5 6 18 9 0 


TimiT8ini 


\ 11 i II"?- 1 If nmnr +_ 


n/ <//'/() 


Commercial Characters. 











































































■ • 




































Specimens of Type in use by Tutile, Morehouse & Taylor, New Haven, Ct. 


SMALL PICA—F. L. & Co. 


The crowding together of heavy-faced type—expressively called 
“loud” by printers—with but little space between lines to relieve them, 
in such descriptions of work as business cards; letter, note, and bill-heads ; 
blanks; circulars (except small hand-bills) ; title-pages ; and other kinds of 
printing intended more particularly for private circulation and perusal, we 

The lines of display composition to be attractive must vary in sizes 
and degrees of strength, exhibiting, as it were, the effects of light and 
shade. A long line should be placed between two shorter ones neither of 
the same length, and these again harmonized to others longer or shorter 


ABCDEFGH abcdefgh 1 2 3 4 5 6 7 8 9 


Accented Letters. 


a a a a a a e e e 6 e e liiiii 060600 uuuuuii Nn Q 9 
a ci a a a a e £ e e £ e liiii'i 0 d 0 6 6 0 u u u u u u q N Q n 

DHKLNRSTZAaICN dhkhrs*? 
DHKLNRSTZAlO dhklnr stz mnn 


Mathematical Characters. 


1234567890 


1 2 1 i i 1 1 H i __ 1 0 _ 

T2345FTT90 T23456T890 1000 


X 



4 
































. 




















































































































































































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Conn. 


PICA—F. L. & Co. 

The crowding together of heavy-faced type—expressively 
called “loud” by printers—with but little space between lines to 
relieve them, in such descriptions of work as business cards; letter, 
note, and bill-heads ; blanks; circulars (except small hand-bills); 
title-pages; and other kinds of printing intended more particularly 
for private circulation and perusal, we consider in bad taste. It is 


The lines of display composition to be attractive must vary in 
sizes and degrees of strength, exhibiting, as it were, the effects of 
light and shade. A long line should be placed between two 
shorter ones neither of the same length, and these again harmon- 

ABCDEFG abcdefg 123456789 

PICA. 

1 * 1 * 


GREAT PRIMER—F. L. & Co. 

The crowding together of heavy-faced type 
—expressively called u loud” by printers—with 
but little space between lines to relieve them, 
in such descriptions of work as business cards; 
letter, note, and bill-heads; circulars (except 

New Haven, Ct. Albany , N. H, 1877. 


br ? B R R 


5 















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Gt. 


$'pediiv|eri$ of Old Style Ffuieg. 


NONPEREIL—F. L. & Oo. 

The crowding together of heavy-faced type—expressively called “loud” by printers—with but little space 
between lines to relieve them, in such descriptions of work as business cards; letter, note, and bill-heads; 
blanks; circulars (except small hand-bills); title-pages; and other kinds of printing intended more particu¬ 
larly for private circulation and perusal, we consider in bad taste. It is true that patrons frequently demand 
such arrangements under the mistaken idea that they are getting a more “telling” effect. But we suspect 
that this occurs, in many cases, more from the spirit of imitating others than from reflection about the matter. 
What advantage accrues by so flagrant a departure from every rule of neatness, as is o'ften exhibited by 

The lines of display composition to be attractive must vary in sizes and degrees of strength, exhibiting, 
as it were, the effects of light and shade. A long line should be placed between two shorter ones neither of 
the same length, and these again harmonized to others longer or shorter than themselves. Several lines of 
the same length (except in poster work between rules) following each other, do not look neat. Lines of large 
heavy letters need to be relieved with smaller light ones in the same manner. 

The crowding together of heavy-faced type—expressively called “ loud ” by printers—with but little 
space between lines to relieve them , in such descriptions of work as business cards; letter , note , and bill¬ 
heads; blanks; circulars (except small hand-bills); title-pages; and other kinds of printing intended more 
particularly for private circulation and perusal , we consider in bad taste. It is true that patrons fre¬ 
quently demand such arrangements under the mistaken idea that they are getting a more “ telling ” effect. 

ABCDEFGHIJKLMN 123456789 i 2345 t> 78 q % 'A & % 'A 


BREVIER—McK. S. & J. 

The crowding together of heavy-faced type—expressively called “loud” by printers—with but little 
space between lines to relieve them, in such descriptions of work as business cards; letter, note and bill¬ 
heads; blanks; circulars (except small hand-bills); title-pages; and other kinds of printing intended 
more particularly for private circulation and perusal, we consider in bad taste. It is true that patrons 
frequently demand such arrangements under the mistaken idea that they are getting a more “telling” 

The lines of display composition to be attractive must vary in sizes and degrees of strength, exhibit¬ 
ing, as it were, the effects of light and shade. A long line should be placed between two shorter ones 
neither of the same length, and these again harmonized to others longer or shorter than themselves. 
Several lines of the same length (except in poster work between rules) following each other, do not 

ABCDEFGHIJKLMNOP 123456789 

BREVIER—F. L. & Co. 

The crowding together of heavy-faced type—expressively called “loud” by printers— 
with but little space between lines to relieve them, in such descriptions of work as business 
cards; letter, note, and bill-heads; blanks; circulars (except small hand-bills); title-pages; 
and other kinds of printing intended more particularly for private circulation and perusal, 
we consider in bad taste. It is true that patrons frequently demand such arrangements 
under the mistaken idea that they are getting a more “telling” effect. But we suspect that 

The lines of display composition to be attractive must vary in sizes and degrees of 
strength, exhibiting, as it were, the effects of light and shade. A long line should be 
placed between two shorter ones, neither of the same length, and these again harmonized 
to others longer or shorter than themselves. Several lines of the same length (except in 

The crowding together of heavy-faced type—expressively called “ loud" by printers—with but 
little space between lines to relieve them , in such descriptions of work as business cards; letter , 
note , and bill-heads; blanks; circulars (except small hand-bills); title-pages; and other kinds 
of printing intended more particularly for private circulation and perusal , we consider in bad 

A B C D E F G H I J K L M 123456789 l A Y % Y* 3 /s H 7 A 


















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


LONG PRIMER—F. L. & Co. 

The crowding together of heavy-faced type—expressively called “loud” by 
printers—with but little space between lines to relieve them, in such descriptions of 
work as business cards; letter, note, and bill-heads; blanks; circulars (except small 
hand-bills); title-pages; and other kinds of printing intended more particularly for 
private circulation and perusal, we consider in bad taste. Is is true that patrons fre¬ 
quently demand such arrangements under the mistaken idea that they are getting a 


The lines of display composition to be attractive must vary in sizes and degrees 
of strength, exhibiting, as it were, the effects of light and shade. A long line should 
be placed between two shorter ones, neither of the same length, and these again har- 


The crowding together of heavy-faced type—expressively called “loud” by 
printers—with but little space between lines to relieve them , in such descriptions of 
work as business cards; letter , note, and bill-heads; blanks; circulars (except 
small hand-bills); title-pages; and other kinds of printing intended more particu¬ 
larly for private circulation and perusal , we consider in bad taste . It is true 
that patrons frequently demand such arrangements under the mistaken idea that 

ABCDEFG abcdefg 123456 


LONG PRIMER—F. L. & Co. 

The crowding together of heavy-faced type—expressively called 
“loud” by printers—with but little space between lines to relieve them, 
in such descriptions of work as business cards; letter, note, and bill¬ 
heads; blanks; circulars (except small hand-bills); title-pages; and other 
kinds of printing intended more particularly for private circulation and 
perusal, we consider in bad taste. It is true that patrons frequently de- 

The lines of display composition to be attractive must vary in sizes 
and degrees of strength, exhibiting, as it were, the effects of light and 
shade. A long line should be placed between two shorter ones, neither 

The crowding together of heavy-faced type—expressively called “loud” by 
printers—with but little space between lines to relieve them, in such descriptions 
of work as business cards; letter, note, and bill-heads; blanks; circulars (except 
small hand-bills); title-pages; and other kinds of printing intended more particu¬ 
larly for private circulation and perusal, we consider in bad taste. It is true 
that patrons f requently demand such arrangements under the mistaken idea that 

ABCDEFG abcdefg 2468 10 


1 


















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Gt. 


SMALL PICA—McK. S. A J. 

The crowding together of heavy-faced type—expressively called u loud” 
by printers—with but little space between lines to relieve them, in such 
descriptions of work as business cards; letter, note, and bill heads; blanks; 
circulars (except small hand-bills); title pages; and other kinds of printing 
intended more particularly for private circulation and perusal, we consider in 

The lines of display composition to be attractive must vary in sizes and 
degrees of strength, exhibiting, as it were, the effects of light and shade. A 
long line should be placed between two shorter ones, neither of the same 

The crowding together of heavy-faced type—expressively called “loud ” by 
printers—with but little space between lines to relieve them , in such descriptions 
of work as business cards; letter , note , and bill-heads; blanks; circulars (except 
small hill-heads); title-pages; and other kinds of printing intended more par¬ 
ticularly for private circulation and perusal , we consider in bad taste. It is 

ABCDEF ABCDEF 123456 


SMALL PICA—F. L. & Co. 

The crowding together of heavy-faced type—expressively called 
“ loud ” by printers—with but little space between lines to relieve 
them, in such descriptions of work as business cards; letter, note, 
and bill-heads; blanks; circulars (except small hand-bills); title- 
pages ; and other kinds of printing intended more particularly for 

The lines of display composition to be attractive must vary in 
sizes and degrees of strength, exhibiting, as it were, the effects of 
light and shade. A long line should be placed between two shorter 

m 

The crowding together of heavy-faced type—expressively called 
“loud” by printers—with but little space between lines to relieve them , in 
such descriptions of work as business cards ; letter, note , and bill-heads ; 
blanks; circulars (except small hand-bills); title-pages; and other kinds 
of printing intended more particularly for private circulation and 

ABCDEF abcdef 123456 


8 














































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Conn. 


PICA—F. l. & Co. 

The crowding together of heavy-faced type—expressively called 
“loud” by printers—with but little space between lines to relieve 
them, in such descriptions of work as business cards ; letter, note, 
and bill-heads; blanks; circulars (except small hand-bills); title- 

ABCDEFG abcdefgh 1234567890 


GREAT PRIMER. 

The crowding together of heavy-faced type— 
expressively called “loud” by printers—with but 
little space between lines to relieve them, in such 

Great Primer. 12345 

The crowding together of heavy-faced type — 
expressively called “ loud ” by printers—with but 


GREAT PRIMER—(Modern). 

The crowding together of heavy-faced type 
—expressively called “loud” by printers— 
with but little space between lines to relieve 

Great Primer. 12345 
















































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


TWO LINE SMALL PICA—Old Style. 

He that by the Plow would thrive, 


TWO LINE SMALL PICA—Old Style Italic. 

Himself' must either hold or drive. 


TWO LINE PICA—Old Style. 

“He who fights and runs away.” 


TWO LINE ENGLISH—Old Style. 

The History of our Country. 


TWO LINE GREAT PRIMER—Old Style. 

Cardinal Richelieu. 


FOUR LINE PICA—Old Style. 

Beautiful Spring. 


10 
































































. 





















































. 

' 
















- • 


















































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


BREVIER—Old Style Antique. 

Shipping Tags, Cards, Bill-Heads, Blanks, Labels, Show Cards, Railroad, Bank, 
and Insurance Printing in Black, Colored or Transfer Inks. 

LONG PRIMER—Old Style Antique. 

Book, Pamphlet, Price List, and Cut Printing in any style. Also, 
Book-Binding, Blank Books, Ruling and Numbering. 

PICA—Old Style Antique. 

Tuttle, Morehouse & Taylor, 371 State St., 

Old No. 221. 

GREAT PRIMER—Old Style Antique. 

Plain and Ornamental Printing. 1234 

PICA TITLE—Old Style. 

SHAKESPEARE, THE GREAT POET. 

TWO LINE BREVIER TITLE—Old Style. 

THE AMERICAN SCIENTISTS. 

TWO LINE LONG PRIMER TITLE—Old Style. 

VICTORIES OF YALE. 

TWO LINE PICA TITLE—Old Style. 

THE SEA SHORE. 
















. 


. 




















. 


















Specimens of Type in use by Tutile, Morehouse & Taylor, New Haven, Ct. 


LONG PRIMER—Modern Old Style Condensed Title. 

THE EXPRESS MESSENGER OF THE WESTERN UNION CO. 


PICA—Modern Old Style Condensed Title. 

THE UNDERGRADUATES OF YALE COLLEGE. 


TWO LINE BREVIER—Modern Old Style Condensed Title. 

THE CENTENNIAL EXPOSITION OF'76. 


TWO LINE LONG PRIMER—Modern Old Style Condensed Title. 

TENNYSON’S “QUEEN MARY. 




TWO LINE PICA—Modern Old Style Condensed Title. 

THANKSGIVING JUBILEE. 


12 



















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


DBL. ENGLISH—Title. 

THE Civil War of 1861. 

DBL. GREAT PRIMER—Title. 

SILK ancl Satin. 1879. 

DBL. GREAT PRIMER—Old Style, No. 2 . 

THE Silver Dollar. 78 

FOUR LINE PICA—Old Style, No. 2. 

The Amateur. 1 8 


FOUR LINE PICA—Title. 


PIN WORKS. 


FOUR LINE PICA—Title. 

PINAFORE. 







































































































































































































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Gt. 


$f>e<iirqer^ of G(t‘eek &>ebt‘ew ^ype. 


BREVIER GREEK—M. S. & J. 

Aeiva rretodpeda el aiytjaopev. E ladpeda avr'ina av noiT/aupev ipotyov. Et yap pr/de ravro olda, teat 
ro)v avSpairodojv QavXdrepog av elrjv. Et rtf ipoird pe, t'i vop'i^o) peyicrov elvai tcjv E vaydpg. ttetz pay- 
pfrvuv, elg 7roXkrp> aizopiav av KaraaTairjv. Ovtoi el rjoav uvdpeg ayaOol, ovk av ttote ravra eiraaxov. 
Nat pa Ata yaxvvdprfv pfarot, el vno TroXepiov ye bvrog etjjjTvaTiOiiv. Et 6e naw oirovda^oi <j>ayeiv , 
elTroip’ v otl naapa ralg yvvait-iv evnv, eug napaTeivaipi tovtov. Ov yap av Tfipar’ avr&v. 

ABrAEZH0IKAMNSOnP2TT$Xffi 


LONG PRIMER GREEK—C’s Sons. 

Asiva nsioops^a si GiyrjGopsv. EiffopsSta avrina av noirjGGopsv 
ipocpov. Ei yap pr/Ss raooro oida, nai tgdv avdpanodooy cpav\orspoS 
av sipv. ET riS spoiro ps y ri vopiZao psyiffrov siyai rcov Evayopa 
nsnpaypsvGdv, sis 7toWr\v anopiav ay naraGrairjv . Ovroi si rjaav 
avdpss ayaSoi, ovk av nors ravra snaGx°y. Nai pa Aia ^Gxvvoprfv 
psvroi, si vno noXspiov ys ovroS sgpnarsSr/v. Ei Ss navv anordaS,oi 

ABT/IEH@IKAMNE0nP2Tr$XVn 


BOURGEOIS HEBREW. 

221 n'tJOA njn hvd Snx 122 in' vm An yvsi Snx id Din' i?daq rma Aron DDin ^a 
njn yssi SnxiD Din'tPD ada nr ssAn xia di n^ DAbAn jwai bnxi 22 in'B? da dattp yd 
S nN iDDin'BOA Mnjraa Aixi DDin' btca naru^a Aron ddi n'^DA DAnya Aron DDin'&yDA 
DAnr ¥3 hi KID Din 'PDA DAH W fiA fttO DDin 'PDA DCU J 733 AhKI DDI n'PDA 0^2 
iSjiki 2do n't^DA DAn yx2 An kii dd in't? da DAn yx aibnxi ddi n'Bt>A DAn yxa biron 


15 























































































































































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Conn. 


BREVIER—Italic—1 Lead. 

The crowding together of heavy-faced type—expressively called “ loud ” by printers—with but 
little space between lines, to relieve them , in such descriptions of work as business cards; letter, note, 
and bill-heads; blanks; circulars {except small hand-bills); title-pages ; and other kinds of printing 

LONG PRIMER—Italic—1 Lead. 

The crowding together of heavy-faced type—expressively called “loud” by 
printers—with but little space between lines to relieve them , in such descriptions 
of work as business cards ; letter , note, and bill-heads / blanks ; circrdars 

BREVIER—Law Italic—B Leads. 

The crowding together of heavijrfaced type—expressively called “ loud” 
by printers—with but little space between lines to relieve them, in such 
descriptions of work as business cards; letter, note, and bill-heads; 

LONG PRIMER—Law Italic—3 Leads. 

The crowding together of heavy-faced type—expres¬ 
sively called “ loud” by printers—with bat little space 
between lines to relieve them, in such descriptions of 

LONG PRIMER—Madisonian—2 Leads. 

ffjfhe erauducLincp taa.ether*cf luuLiLU-facjicL tape.—expresslueLip cclLLecL 
“LcjllcL” tap prin.te.r-A.—with hut LittLe &pa.ee between, LineA. ta relleiie 
them., in. &ueh cLcscrlptLcn.A of work ols. luesln.eAA ectrcLA; Letter, note, 


PICA—Latin Italic—2 Leads. 

The crowding together of heavy-faced type—expressively 
called “ loud ” by printers—with but little space between lines 
to relieve them, in such descriptions of work as business cards; 


















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


" PICA—Venetian—2 Leads. 

The crowding together of heavy-faced type—expressively 
called “loud” by printers—with but little space between lines to 
relieve them, in such descriptions of work as business cards; 

GREAT PRIMER—Venetian—2 Leads. 

SThe crowding together of heavy-faced type 
—expressively called “ loud ” by printers—with 
but little space between lines to relieve them, in 

LONG PRIMER—Lithographic Italic—3 Leads. 

The crowding together of heavy-faced type— 
expressively called “ load ” by printers—with bat 
little space between lines to relieve them , in sach 

PICA—Lithographic Italic. 

If yon don’t see whett yon wcuot cts7c for it. 

GREAT PRIMER—Lithographic Italic. 

CReflections cCboixt J\IA. TTJEPR. 

GREAT PRIMER—Circular—2 Leads. 

Tbe crowding together of heavy-faced type—expressively 
called “ loud by printers—with but little space between lines 
to relieve them, in such descriptions of work as business cards ; 


18 





























. « • 

♦ 








- 






































































































































































* 







































. 















' • • 





















































































































































. 

' 










































































































































































































































































































































































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Cl. 


NONPAREIL—Light Face Celtic. 
ALWAYS HELP AN ERRING BROTHER. 


BREVIER—Light Face Celtic. 

FRIENDSHIP, LOVE AND TRUTH. 


LONG PRIMRR—Light Face Celtic. 

BY INDUSTRY AND HONESTY WE THRIVE. 


PICA—Light Face Celtic. 

YOUTH AT THE HELM. 


GRE AT PRIMER—Light Face Celtic. 

CHRISTIAN MARTYR. 


DBL. PICA—Light Face Celtic. 

SLAVE MARKET. 


DBL. ENGLISH—Light Face Celtic. 

MEMORANDUM. 


20 

































































































































































































































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Conn. 


. NONPARKIL—Celtic. 

Display composition, to be attractive, must vary in sizes and degrees of strength. 
NEATNESS PERSONIFIED. 


BREVIER—Celtic. 

Tuttle, Morehouse & Taylor, 371 State Street. 
PRINTERS AND BINDERS. 


LONG PRIMER—Celtic. 

The Massachusetts Mutual Life Insurance Company. 
ROMEO AND JULIET. 


PICA—Celtic. 

A few useful hints worth remembering. 
KING RICHARD III. 


GREAT PRIMER—Celtic. 

Make Hay while the Sun shines. 
YALE NATIONAL BANK. 


DBL. PICA—Celtic. 


Then, and not till then. 
UNION, STRENGTH. 


21 















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Gt. 


PICA—Latin Condensed. 

THE ART OF PRINTING has greatly advanced within the last few Years. 

GREAT PRIMER—Latin Condensed. 

EXCELSIOR. The Arkansaw Traveler returned. 


DBL. PICA—Latin Condensed. 

AGRICULTURAL and Horticultural Exhibition. 

GREAT PRIMER—Latin. 

BOOK BINDING, Book and Job Printing. 


DBL. SMALL PICA—Latin. 

PRICE LIST, Illustrated Catalogue. 


NONPARIEL—Condensed. 

ANTIQUES AND HORRIBLES AT THE CENTENNIAL 

BREVIER—Extra Condensed. 

You can get a great deal of Matter into a very small space by using condensed Type. 


PICA—Double Extra Condensed. 

YALE COLLEGE—A knowledge of the Metric System is one requisite for admission. 

GREAT PRIMER—Condensed. 

THE PRINTERS. Millions tor Defence. 

TWO LINE SMALL PICA—Condensed. 

NEW HAYEN. Advancing Hosts. 


22 































■ 































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Gt. 


TWO LINE PEARL—Title. 

THE ONE HUNDREDTH ANNIVERSARY OF OUR LIBERTY. 

TWO LINE PEARL—Title Condensed. 

THE SHEFFIELD SCIENTIFIC SCHOOL, A DEPARTMENT OF YALE. 

PICA—Title Condensed. 

TRAVELS AND ADVENTURES IN AMERICA AND EUROPE. 

TWO LINE NONPAREIL—Title Condensed. 

GREAT INDUSTRIES OF THE UNITED STATES. 

TWO LINE MINION—Title Condensed. 

THE OLD BATTLE-FIELDS OF THE REVOLUTION. 

TWO LINE BREVIER—Title Condensed. 

COMMONWEALTH OF CONNECTICUT. 

TWO LINE BREVIER—Title Condensed. 

METRIC SYSTEM OF WEIGHTS AND MEASURES. 

TWO LINE LONG PRIMER—Title Condensed. 

THE COURTSHIP OF MILES STANDISH. 

TWO LINE SMALL PICA—Title Condensed. 

CENTENNIAL EXHIBITION. 

































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


TWO LINE PICA—Title Condensed. 

GODDESS OF LIBERTY. 


TWO LINE PICA—Title Condensed. 

STATE BOARD OF EDUCATION. 


FOUR LINE PICA—Condensed Title. 

PHOTOGRAPHICAL. 


FIVE LINE PICA—Title. 

PRAXITELES. 


FOUR LINE PICA—Condensed Title. 















































* 































• 



































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Conn. 


LONG PRIMER—Title. 

THE DECLARATION OF AMERICAN INDEPENDENCE. 

LONG PRIMER—Title. 

BOOKS AND STATIONERY. 

TWO LINE NONPAREIL—Title. 

THE IRREPRESSIBLE CHINAMAN. 

TWO LINE BREVIER—Title. 

REPORT OF THE TEACHERS. 

TWO LINE BOURGEOIS—Title 

THE SUPERINTENDENT. 

TWO LINE LONG PRIMER—Light Face Title. 

SCHILLER AND GOETHE 

TWO LINE SMALL PICA—Title. 

SECRETARY OF WAR. 


DBL. GREAT PRIMER—Title. 

Centennial Medals. 

TWO LINE SMALL PICA—Title. 

BREAKERS AHEAD. 










































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Gt. 


PEARL—Gothic. 

HIGHLY DISTINGUISHED DISINTERESTEDNESS. 


NONPAREIL—Gothic Light Face. 

The crowding together of heavyfaced type — expressively called “loud” by 
printers —with but little space between lines to relieve them, in such descrip- 


NONPARIEL—Gothic—Condensed. 

YOU L NEVER MISS THE WATER ’TILL THE WELL RUNS DRY. 


NONPAREIL—Gothic. 

NONSENSICAL. Atmospherical Street Funambulistics. 


BREVIER—Medium Gothic. 

With right honest men good custom will tarry. 

BREVIER—Heavy Gothic. 

The Independent Yankee Girl before the Foreign Dame. 

LONG PRIMER—Heavy Gothic. 

Capital invested in Ice Houses. 

PICA—Gothic. 

CONNECTICUT. Fine Work, Fair Dealing. 

TWO-LINE BREVIER—Gothic. 

Hardware Catalogues a Specialty. 

PARAGON—Gothic. 

Malleable Iron Castings. 

DBL. PICA—Heavy Gothic. 

Programme, Part 2d. 






































. 























































31 




# 




















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Gt. 


GREAT PRIMER—Heavy Gothic. 

LABELS OF ALL KINDS PRINTED HERE. 

DBL. SMALL PICA—Gothic. 

HOME FOR THE FRIENDLESS. 

DBL. PICA—Light Gothic. 

South End Tobacco Manufactory. 

DBL. PICA—Medium Gothic. 

CARRIAGE HARDWARE. 


DBL. GREAT PRIMER—Gothic. 

Household Furnishing Goods. 


DBL. GREAT PRIMER—Gothic. 

NUTS, WASHERS, ETC. 


DBL. GREAT PRIMER—Gothic. 

COAL AND WOOD. 


DBL. GREAT PRIMER—Gothic. 

IRON SNAFFLES. 

























































. 































/ 

































































































































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


NONPAREIL—Egyptian. 

ONE HUNDRED YEARS AGO. From Boston to Philadelphia by Stage Coach. 


BREVIER—Egyptian. 

He that by the Plow would thrive, Himself must either hold or drive. 


LONG PRIMER—Egyptian. 

SHORE LINE. New York, New Haven and Hartford R. R. 


GREAT PRIMER—Egyptian. 

Benjamin Franklin’s Successors. 


DBL. ENGLISH—Egyptian. 

There’s Millions in it. 


FOUR LINE PICA—Egyptian. 

Oh! Look Here. 








































































































































































































































* 






































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


NONPAREIL—Clarendon. 

PYRAMIDS OF EGYPT. The Wonders of Nature. 


BREVIER—Clarendon. 

Printing in all Colors, BOTH PLAIN AND FANCY. 


LONG PRIMER—Clarendon. 

A TRIP AROUND THE WORLD. Starting To-morrow. 


PICA—Clarendon. 

HARDWARE AND CUTLERY OF ALL KINDS. 

GREAT PRIMER—Clarendon. 

The Connecticut Academy of Arts and Sciences. 

DBL. ENGLISH—Clarendon. 

HOMELESS, HOUSELESS. 


DBL. GREAT PRIMER—Clarendon. 

Mien of Means. 




























































































































































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


AGATE—Ionic. 

Considered very neat for small Jobs, CARDS, &c. 


BREVIER—Ionic. 

Bank, Railroad, Insurance and other Work at short notice. 


LONG PRIMER—Ionic. 

The lines of display composition to he attractive must 


PICA—Ionic. 

Book Printing in any style. 


GREAT PRIMER—Ionic. 

Good Work at Moderate Prices. 


DBL. SMALL PICA—Ionic. 

Battle of Long Island. 


DBL. GREAT PRIMER—Ionic. 

House of Commons. 



















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Conn. 


BREVIER—Aldine. 

The lines of display composition to be attractive must vary in sizes and degrees of strength, etc., etc. 


LONG PRIMER—Aldine. 

The lines of display composition to he attractive must vary in 


PICA—Aldine. 

Fair Promises Fully Redeemed. 


AGATE—Fidl Face. 

TUTTLE, MOREHOUSE «fc TAYLOR, Printers nnd Book Binders. 


NONPAREIL—Full Face. 

The crowding together of heavy-faced type-expressively called “loud” by 
printers—with but little space between lines to relieve them, in such descrip- 


NONPAREIL—Full Face Italic. 

The crowding together of heavy-faced type—expressively called “loud” by printers 
—with but little space between lines to relieve them , in such descriptions of work as 


MINION—Full Face. 

THE NEW YORK, NEW HAVEN & HARTFORD RAILROAD COMPANY. 


BREVIER—Full Face. 

AVONYIVIOUS. Birds of a Featlier flock together. 


BREVIER—Full Face Italic. 

The Franklin Office is The Place to get GOOD WOBK. 


LONG PRIMER—Full Face. 

A was to Fame—Pay your Printer. 

LONG PRIMER—Italic. 

CHAPEL ST. New Haven Opera House. 




















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Gt. 


LONG PRIMER—Engraver’s Italic. 

2 he lines of display composition to he attractive ?7iust 
va?y in sizes and degrees of strength, exhibiting, as it were, 

NONPAREIL—Full Face Extended. 

jV merioiiii Board of Commissioners for Foreign Missions. 

BREVIER—Full Face Extended. 

FAMOUS. Orient and Occident. 


LONG PRIMER—Full Face Extended. 

SPRING. Oit.y of tlie Stx-aits. 


LONG PRIMER—Full Face Title. 

Are you angry that others disappoint you? remember 
you cannot depend upon yourself. 

PICA—Full Face. 

Old Friends with New Faces. HOPE. 


GREAT PRIMER—Full Face. 

The American Journal of Science ami Arts. 

DBL. SMALL PICA—Full Face. 

A good Boy will make a Good Man. 


REAL DBL. PICA—Full Face. 

WORK, while it is Day. 

























Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


LONG PRIMER—Monastic. 

yfE HAVE ^IF^ST pLASS ^jVORKM.EN OF LONG pXPEF^IENCE. 

PICA—Monastic. 

j^ATS AND j^APS, j 3 oOTS AND pHOES. 

GREAT PRIMER—Monastic. 

JuTTLE, yVloi^EHOUSE Sj JaYLOR, ^RJNTERJS. 

DBL. PICA—Monastic. 

pOOD ft ORK AT pAIF^ j^RICES. 


DBL. GREAT PRIMER—Monastic. 


T jji State ^tp v eet. 


PICA—Old Style Ornate. 

Jdedidinejf, Toilet $i‘tidled, 00^, Co^etidd, 

GREAT PRIMER—Old Style Ornate. 

G^ekt denter^ikl 

DBL. PICA—Old Style Ornate. 

The Induced of the Wodld. 

DBL. GREAT PRIMER—Old Style Ornate. 

HuTTali for Slack Hillk 





















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


{Supplement, 18^9. 


PARAGON—Extra Condensed Title. 

HONORABLE II. let well jour part, there all tie honor lies. 1811 


DBL. PICA—Extra Condensed Title. 




LONG PRIMER—Title. 

GOLD MEDALS for Reversible Door Locks. 98765432 


PICA—Title. 

GENERAL PUTNAM’S Famous Ride. 1 2 3 4 5 6 7 


GREAT PRIMER—Title. 

THE way of the Transgressor is Hard. 


DBL. SMALL PICA—Title. 

INVASION of New Haven, ’69. 


























Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 

__ __ _ • 


PEARL—Antique Extended. 

MUSIC ZB-52" THEODORE THOMAS’ OECHESTEA, 


NONPAREIL—Antique Extended. 

TICKETS, THKEE DOLLARS. 

BREVIER—Antique Extended. 

No such word as in A.IL. 371 

LONG PRIMER—Antique Extended. 

SOUP. Strange but True. 371 

AGATE—Light Face Extended. 

OITY OF ELMS. Look at our Specimens. 

AG ATE—Extended. 

Very much Extended Type for Display. 

NONPAREIL—Light Face Extended. 

THE INEXHAUSTIBLE COAL-FIELDS OF PENNSYLVANIA. 

BREVIER—Light Face Extended. 

Allen at Ticonderoga. AUTUMN. 

LONG PRIMER—Light Face Extended. 

TELE PRAIRIES OF THE WEST. 

PICA—Light Face Extended. 

PA Moving Spectacle. 

GREAT PRIMER—Light Face Extended. 

The Grrea/t Lakes. 

DBL. PICA—Extended. 

S NAPS. 

36 















































































Specimens of Type in use by Tutile, Morehouse & Taylor, New Haven, Conn. 


BREVIER—Augustine Text. 

Ijrinttra, $Jook ^itxbtrs, anb $lank $ook Panafaeturers. 

LONG- PRIMER—Augustine Text. 

<$ur dumber is cjjangeb to 371 , but franklin's fate still beams from ober our boorfoag. 
. PICA—Augustine Text. 

%n ^onest face, though it be plain, admiration's meed foill gain. 

PICA—Condensed Black. 

(CntiiB, 1'ill-ltniis, Itntrmrnts, 3knk anil Sturarat !Bnrk. 


DBL. SMALL PICA—Card Text. 


lean’s inkumanitg to j|nn makes countless ^kousands 


mourn. 


DBL. ENGLISH—Card Text. 


jenjatmn franklin, Junto, Jliikojjlter and ftatonnm. 


DBL. ENGLISH—Card Text, Open. 


THREE LINE SMALL PICA—Card Text 

. & (mw 


FOUR LINE SMALL PICA—Card Text. 

jeojilt that | tp<"t J(ti. 

































































• 


.. 















































Specimens of Type in use by Tutile, Morehouse & Taylor, New Haven, Gt. 


FOUR LINE SMALL PICA—Card Text, Open. 


iproce 


FOUR LINE PICA—Card Text, Open. 


} 


o o a ❖ 




DBL. SMALL PICA—Fancy Text. 

^;»♦ Augustus 


DBL. ENGLISH—Fancy Text. 




a^e wtjile tlje $mt 


DBL. SMALL PICA—Ornate, Open. 




DBL. SMALL PICA—Ornate. 

)nt Sotto is eb*r “ fateelsior. 


DBL. ENGLISH—Ornate. 


fortune fabors t^e 


irabt. 






































Specimens of Type m use by Tuttle, Morehouse & Taylor, New Haven, Gt. 


BREVIER—Black. 

& .Small Black 2F»pc oftentimes makes a ^Kooti Display. 


LONG PRIMER—Black. 

<ZTlie Skull anb jSottcs us. ®l)e Scroll anb Ken. 


PICA—Black. 

%) catij? amts velfeOrtr tij? space. 


PICA—Black. 

Ko tttc Sltetuff of ttie counts of Jicto ?^aOen. 

DOUBLE PICA—Black. 

Supreme Court of t \jt Ituiteb States. 


GREAT PRIMER—Black. 

Honda ©fanges from #Id fitginia. 

PICA—Black, Italic. 

go all to uilfoti) Hwnc flccScnts shall come. 


GREAT PRIMER—Black, Italic. 



hue unci to 



Witness. 


DBL. ENGLISH—Black, Italic. 





edsotj, 























Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven. Ct. 


TWO LINE BREVIER FILIGREE. 



PICA GLYPTIC. 

-Me 3FPE * * nmw * TIP v 7IP0$TOMC 4 C^EED 


GREAT PRIMER GLYPTIC. 


CPIS1 P7Ig + PD pw + YEW**- 


ECCLESIASTIC TYPE. 



GREAT PRIMER—Ancient. 

Tfie Owl tn J^rooJiii^ Sttence* 


DBL. PICA—Ancient. 

Qncieftt Memorials. 


DBL. GT. PRIMER— Ancient. 

(^liostofic precepts. 




























































































































































































Specimens of Type in use by Tutile, Morehouse & Taylor, New Haven, Gt. 


DBL. GREAT PRIMER—Black. 


ank (fkrtko. looks, &f. 


FIVE LINE riCA—Blaok. 



ank of (fork. 


EN GLISH—Composite. 

American rjournnf of Science nni) Ails. 


DBL. SMALL PICA—Church Text. 

01 3oljn 0t .«. & <$Wl 

DBL. ENGLISH—Church Text. 

©rinitg CHjortlj, JJpfo 

PICA—Ecclesiastic. 

The ehuroh of the Eot't Trinity *»w 


PICA—Black, Open. 


DBL. SMALL PICA—Black, Open. 


C*J 



DBL. ENGLISH—Black, Open. 

, 4 
























• --- — 

Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven. 


PICA—Black, Ornate. 



DOUBLE SMALL PICA—Black, Ornate. 



DOUBLE SMALL PICA—Black, Ornate. 



TWO LINE ENGLISH—Ornate. 



DBL. GREAT PRIMER—Ornate. 



DBL. GREAT PRIMER—Rim, Black. 



FOUR-LINE PICA—Rim, Black. 



GREAT PRIMER—Heavy Rim Black. 

mi wimu* 






















HWtHmrmfinH 




$pediir|er|$ of Oi^kineqtkl ¥ype. 


PICA—Treasury Open. 

***** M«ncr<^k ##«&% of ^o # « g $ m $mbk. 




fo 


GREAT PRIMER—Treasury Open. 


|f#. guQti4%u§ $yigm„ 


DBL. SMALL PICA—Treasury Open. 

jmiff aUe §nhrialn^d 




DBL. ENGLISH—Treasury Open. 


$> 


PICA—Shaded. 




GREAT PRIMER—Shaded. 


VWWWWW' \\\\\\\\\\\V 


m% 


DBL. PICA—Shaded. 











DBL. GREAT PRIMER—Shaded. 


43 


J\\v, ,i/L 
















































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. ^ 


PICA—Back Slope—Ray Shade. 



PICA—Ray Shade. 







TWO LINE MINION—Ray Shade. 



GREAT PRIMER—Ray Shade. 



TWO LINE PICA—Ray Shade. 



TWO LINE ENGLISH—Ray Shade. 



FOUR LINE PICA—Ray Shaded. 








































+ • ►- ♦ 
u , 


Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Conn. 


PICA—Open Shade. 



TWO-LINE LONG- PRIMER—Ornate. 



TWO LINE ENGLISH—Ornate. 



DBL. PICA—Ornate—Boston. 



DBL. GREAT PRIMER—Ornate—Boston. 



45 


1 



t 

t 























Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct 


LONG PRIMER—Italic, Ornate. 

TBAKS&IWIW& BAY, Thursday, April 26 ih, 187 f. 


PICA—Italic, Ornate. 

Seif Preservation the First L&w of Mature. 


BREVIER—Italic, Open. 

WEDNESDAY EVENING, September 20th, 1876. 


PICA—Italic, Open. 

SATURDAY., March 10th. 


PICA—Engravers’ Open. 

CITY MARKET. If mot called for in 1© Bays. 


GREAT PRIMER—Engravers’ Open. 

Don’t Forget tie Hew It©. $>7L 


TWO LINE SMALL PICA—Engravers’ Open. 

Tke National New Haven Bank, 



DBL. ENGLISH—Engravers’ Open. 


Animal Reception. 
































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


NONPAREIL—Rim Gothic. 

Tto© tidies ©f ©Isptay 6©dUip©§6tt®di t© fee attractive dn«st VARY DM 8621. 

BREVIER—Rim Gothic. 

®IAOTDFU)IL §N)@>W 0 Iffi© State. 

BREVIER—Rim Gothic. 

THIg tANl© ©F STg&eV’ HJABIITTS, 


DBL. SMALL PICA—Unique. 



PICA—Rimmed—Old Style. 



DBL. SMALL PICA—Rimmed—Old Style. 

Don’t CMv© tip tin© §Mp« 


DBL. ENGLISH—Rimmed—Old Style. 



GREAT PRIMER—Rimmed. 























Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


LONG PRIMER—Rim Roman. 



PICA—Rim Roman. 



GREAT PRIMER—Rim Roman. 



« 


DBL. PICA—Rim Roman. 



PICA—Rim Condensed. 



GREAT PRIMER—Rim Condensed. 



DBL. SMALL PICA—Rim Condensed. 



DBL. ENGLISH—Rim Condensed. 



48 





























Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


PICA—Rimmed. 

Tl© Moblest Koraa© @S tbem alb 


PTC A—Ornamented. 



PICA—Pointed, Rimmed. 

LOST* SunsHine and Shadow* 



PARAGON—Rimmed. 





TWO LINE SMALL PICA—Rimmed. 



DBL. SMALL PICA—Ornamented. 

Spring and Summer Beads, 


GREAT PRIMER—Ornamented. 



TWO LINE LONG PRIMER—Ornamented. 
























Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


BREVIER—Antique Shaded. 

npsssrus ^K5rnD ih^miibwie® isoDf&sssrciHSa 


LONG PRIMER—Outline Ornamented. 

■OTIS W®KTI0)lg]S§ ©ff 1 ©M®Mm mAMOTBlITC 


LONG- PRIMER—Meridian Shade. 

sma jpj^snains sa^na sssiAiasiiinip (g@soiPAH ,, 2 , o 


PARAGON—Ornamented. 

IBooks and Stationery, ^ames, :$ic. 


PICA—Ornate. 






GREAT PRIMER—Open. 







DBL. PICA—Open. 




































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Jlaven, Ct. 


GREAT PRIMER—Extended, Shaded. 



DOUBLE PICA—Extended, Shaded. 



THREE LINE SMALL PICA—Extended, Shaded. 



DBL. GREAT PRIMER—Shaded. 

HASTOX.SS. 


TWO LINE PICA—Condensed. 



DBL. PARAGON—Condensed. 

Book ami Job Printers. 


DBL. PARAGON—Ornamented. 

IMPERIAL GRANBM. 






















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


PEARL—Extended, Italic. 

-4IV1) O H, J/J?JC. JP«/Jlf2X!V«. 


PEARL—Antique Extended. 

Tlle City of NEW HAVEN in 1876. 


NONPAREIL—Antique Extended. 

PAST PREIGtHT XjIKTE to Boston. 


PICA—Antique Extended. 



NONPAREIL—Doric. 

Make Haste Slowly. TRIED AND TRUE. 


BREVIER—Doric. 

DEEDS SHOW, NOT WORDS. 


PICA—Doric. 

FASHIONABLE FANCIES. 

PARAGON—Doric. 

BORROWED. LENT. 



















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


BREVIER—Antique. 

Display Composition, to be attractive, must vary in size and degrees oi strength. 
VERY USEFUL FOR SMALL LINES. 


LONG PRIMER—Antique. 

A Genealogical History of the Smith Family in New England. 


NONPAREIL—Antique. 

SOCIETY FOR THE PREVENTION OF CRUELTY TO ANIMALS. 


BREVIER—Antique. 

THE PRISONER WAS CONVICTED IN THE FIRST DEGREE. 


LONG PRIMER—Antique. 

METROPOLITAN OUTSIDE LINE TO BOSTON. 


PICA—Antique. 

THE CHANGES AND VICISSITUDES OF POLITICAL LIFE 


ENGLISH—Antique Condensed. 

TWENTY THOUSAND LEAGUES UNDER THE SEAS. 


TWO LINE SMALL PICA—Antique Condensed. 

PAY THE PRINTER AND EE HAPPY. 

54 ___-— - 

















Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


TWO LINE PICA—Grecian. 




. 1877 . 


DBL. ENGLISH—Grecian. 


GRAND CALICO BALL. 1877. 


DBL. GREAT PRIMER—Grecian. 


FREDERICK THE GREAT. 1877. 


FOUR LINE PICA—Extra Condensed. 


Moiday, Mirth Si, 1877 


PICA—Tuscan. 


TURKEY and Russia. 


DBL. SMALL PICA—Tuscan. 

Turkey and Russia. 


DBL. PARAGON—Tuscan. 

Said at Auction. 

FOUR LINE PICA—Runic. 

Know Thyself. 






























Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


DBL. GREAT PRIMER—Rimmed. 



DBL. GREAT PRIMER—Ray Shade. 



DBL. PARAGON—Rimmed Gothic. 



FOUR LINE PICA—Shaded. 



FOUR LINE PICA—Tuscan. 

SNOW DROP. 


SIX LINE PICA—Tuscan. 


















































Specimens of Type in use by Tuftle, Morehouse & Taylor, New Haven, Cl. 


LONG PRIMER—Full Face Italic. 

^ew Styles of Type are daily being placed before the public . 
AGE OF IMPROVEMENT. 


DBL. ENGLISH—Italic. 

The Merchants National Bank . 


DBL. ENGLISH CONDENSED—Ornamented. 

All kinds of Printing done in the best manner. 


DBL. PICA—Gothic Shade. 



FIVE LINE PICA—Ionic. 

Excursion. 

FOUR LINE PICA—Clarendon. 

NEAT & NICE 
























































- 











































































































' 













































































* 

































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


FOUR LINE PICA—Flag. 




FOUR'LINE PICA—Gothic. 

SNOW. 


FOUR LINE PICA—Figures. 

12345678 


FOUR LINE PICA—Gothic. 

RIM KNOB LOCKS. 


FIVE LINE PICA—Gothic. 

HARDWARE. 































































































































































































































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


FOUR LINE PICA. 


Something 51 


FIVE LINE PICA—Condensed. 


ROSY son 


FIVE LINE PICA—Condensed. 


Slim Triumph l 


SEVEN LINE PICA. 




59 






























Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


FIVE LINE PICA—Gothic. 

SUNDAY 


SIX LINE PICA—Ornamented. 

UD flf’TVD 0 

JTJtlbJlJRK m JuiwW* 


SEVEN LINE PICA—Grecian. 



TEN LINE PICA—Grecian. 


















































































































































































































































































































. 



























Specimens of Type m use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


EIGHT LINE PICA—Ionic. 


TEN 


EIGHT LINE PICA—Ionic. 



66 


EIGHT LINE PICA—Ionic Figures. 

371 


99 





















































































\ 




Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


EIGHT LINE PICA—Fancy. 



TEN LINE PICA—Ionic Condensed. 



TEN LINE PICA—Condensed. 



62 


























Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


TEN LINE PICA—Gothic Condensed. 



TEN LINE PICA—Gothic. 



TWELVE LINE PICA. 


































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


$f>ediiT|er\£ of f{ule. 


No. 1. 

No. 2. 

No. 3. 

No. 4. 

No. 5. 


No. 7. 


No. 8. 

No. 9. 

No. 10. 


No. 11. 


No. 12. 

No. 13. 


WOOD KULE. 










































































. 









































































































































































































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


No. 19. 



No. 20. 



No. 21. 



No. 23. 



No. 24. 


































* 









































































































. 































* 























































Specimens of Type in use by Tuttle, Morehouse & Toy tor, New Haven, Ct. 


No. 25. 


No. 28. 


No. 30. 


No. 29. 
































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


No. 31. 



r 

V. 

r 




( 

& 

yy*y 


y 


No. 33. 




V* 


/'"A ^ 

^ ^ *r ^ 
# $ & ^ 
JjR V* #*’ 
f \ 
vy 




SSfr 


/ f '^ 


tff^y 


v r 


y 

V 


A 

y^y 


























































































* 

















































































































































































































. 












































Specimens of Type in use by Tuttle, Morehouse & Taylor, New Haven, Ct. 


GREAT PRIMER RELIEVO, No. 2. 





IFIFtOlVE XIHE 

PRIMING .WORKS 

—OF— 



Tuttle, Morehouse & Taylor, 

NEW HA YEN ,, CONN. 
































































































































. 






















































































































































































































































































































































































































A * :• ,— v v - * ^' P aV « 

-'' - ^ ^\A)^ r* %/> ,(V 




«/ V 1 

-A ^ ^ 

«,'•** '■ A' *«’ ’< "o, " , ‘V'i , ’‘«#\ 

^ *V f o v N /VT^O ^ O (. * sf> / 

A 



<y c v ^ ^ ^ . 9 * 

'. ^ 4 V/r ^ * 

p <* A « ° <£ 


*0 - 

</> aA * jO> A O 

A> 

_, w. . * v 5 ^ * wUy * A •>, o v> A* 

%'-'*«# —,^ / '-'-'V A .V. < V’*‘VA^V'^'V . 

* •-> 0 ° -> c ,^% ^ A S-srfrli J 0 ° A -c^rw '. ^ A A- 

h. <£ ‘ ' f \ ^ >V 

W i ® / A > 



• -> 

v » fl * *7 



x°°p 



A v ' M ; S ' * ", . 

K* A * ,#rV<>% -.1 <:' 

V v 

.A ,J ?/> 

* A *\ . 

✓ ' , *& 3 Z/ MMSP v r> 0 ^ A* ^ \L 

</V' j ;^ A •=? 

<• A* .v” *, °o 0 - 

t > A v V -Vi ' <■ .>. v „*• 



O o 




-< 

A ^ 

\V ^ ^ 

A A xV ^ \ ; % ^ ■ ° 






« « ' * A . 0 s „ * ^ * 3 H 0 \^ Y 

c^ x v H 



'/ C‘ 

<f> . ■ 

L **<$> A 




'K x 

r? > * 8 I 

V> * " * V > ‘ , 


* 

■ ,0‘ 'o 

# >'"'« '*£■ 

if* aV fl 

V ^v 

* -a P 4 „«.'' j, 

y 0 * ^ A 0 < **1 ti, s 

°3 rQ S 0 !*'*+% A 

4 . •;^k r 3 ^. aN 

^ •? 

■ p -u * ■: >! #y ~ 

ftV- X » V V o 



V' ^ 

v ^ ^ ** CL X 

^ ^^Tls' A o, y o*x^ < 0 ^ » ^ y ' 

^ ^ ^ v * 

o o 





► ‘^ 8 ^^ ' <P, * & ^ * .A' 


.V </> 



^ \ 
o o 


s A o. y ©, x ^ A ^ 

A' V I « ^ 0 N <• * * ' 

° 0° v"^' A 

^ A C * ■ ,A 1 " ^ 4 . S'- 







r V ^ ^ 

MM 

^ ^ * o , "> 



• A- 

^ <$y 

■* * * 5 v' v • 11 “ ‘ A ' # “* /; • - * ♦ V ' 7 *' ’ ‘ A 

+ *\e/r?7sb*« C. ^ ^ ^ + 

•fz. V? :AiiiiS - ,* -. -»-_ .V 



^ U ,.., ^ »r>N»’ \V 

A -V v ■ 

. ^ zf ; il *, A 



v> ^ 




R' '-4* A '"'' ''J 

£'. >'. * %' ° • 1 * a 0 N c A'- 

k> ^ . VJU ^r *. y «SV1\' N J^r v k v* . v;/l 1w V 

, Ku * > n ° J A' Ab »«i a *' A r # y n o * ^ *- * ^ a <o- 

^ V V> ^ * o ^ . <r s s r *, ^rv A **„ '> * a " 



aS ^ 



C 

*v ,0 V ^O y ,y ,W ',* #’ % *L-‘*W / *’s* CV> 

' N* v * * » ^ ^ o N 0 v ^ »„ n * '0 O, * 

p 0 ' v' *'»», "> "' o> ,^'r, r ^ c . 

.>» ^ « <?* •$, ^ < ,A ' zWTa&w * 'P. r 

%$ -Mm.- '**«& 


A ' 1 A. 

VV 'P', V> 

V * 

/ C S .'\ '«» k 

* * A X . * V 1 » , ^O 



<* 

0' c. 0 N c * 



*%• A 


V ^ 

* v A ^ v - ■•• »•• * 

V A e> ^ ^ 

* * sS ^\ X u./i y »*^ A* 


































'Kc 

° u/ jc 

. ^ ^ ^ ** ^ * 0.* «, ^ 

<* * x s * A O* Y 0 * K * X G <** l o ± S S V^ 

"" ^ //;// °- o/c;/ ** /V'-- 

V, A \ ' mT,/?.^ * a/nNW. * ^v. a\ * 

V s K ■>. ■>%, A o 


AT 

« 



PV , 5 

Pi ’ 



"X/s >v;v ,;, v!-^ '> * 

I^ *4SflEk'< * v^^.v .a ^ 

► v 



V : #W .v 

*0 „ V * *g c < 

0 0 * a°JL c % +*. 

L r S * \\ A Vv^b J' 






v 4>‘ : 

<V °WWW' <$% ' 

V, j \ ^V J& <* 

<y + *$ & + a v *> 

O y - * 


'* v°v ■ • *v *-’*/.< .., v >° 

. A y ^ ► /O C» ^ x O 








A V v 

' r^^/i <- 'S> A * 

-_ ** *f z $mh % ^ $ ° t 

A % - *113^ « J>> <V o 1 

* c.- <f* <j v^_ s * <V •>> ,j 

cP * ^ ^ 4 O.V > s r* * 

A^ X • 




• • ••>:*,..*;s^: ,/ ;; ■ r? .•“•>; 

A. <* < ■' > r ' 'K< A * ’*' •■ * '<* A- ^jJV, ^ ;., <- /V * ^|fe| * <v> aV * 

,<v « $> # u m K - * <& « c ^ v -' 4|W|^: ^ <r 

.• ^”% \ ■ \ ^ v ’\. -vr^,* \ 

'‘•••'.fc %°v # *‘'Xc-«.>>*• ">\>;;.‘X'**‘*-o’ >* ; 



y 0 * s ^ \ ^ 




i> 

.> j 

' C$~ s' ” -’ ’ ° rl c * ’ ~ ° ’ V S ^ » ' * 0 

^ • tf. .*V 



V* <g 


.** % 


,v 


j^’ 

|£ o N C , %** • * ' V \* 1 ‘ •* , V ° # ^ \o^c - c % 

x 00 ^. 





^V <A- o 



, s s N A ^ 

A^ v* V ‘ * ^ « 

.-6 v -» 

V s 


<. a ^ ry r l 

*V •> \V ■* G ':■ • \ "o ^ 

t/* «< X «s ^OA^rW/X/? z ^ 

^ z 0 


<o 

<v» *> 



'«»• 




, , ' * » » o ’ ,^' 

0^ s' A ., v 

V . 

^/- AV ♦ 

t/> 4 <V a, 


X' > 




V -VsWX tlI /o«c 4 

^ .-r V* *1 ?S> G° ” C _c^xv ^ ^ 

+■*- $ : eMS?> - *<=o' * ' 


x 00 ^. 


, s C> V N ^ 

A? * ^<K « <^ n A v 

»V ^ > A r v " tf> a“ v 



'/■ t ..,;%. >a '“’ v / ...,^ 





' •%, qV' * 

21 ^ * 7 
c> <<, - W W « ,A V ° 

V? vp * v. ^ 'V S>\ * 

-1 IV ■ / /-^ > x 

s'-’ o«c ^ *« s ' a a s v 1 * * V 

c.- • ^ 

V^' ^ - « % ' 


- S' ^ O > 

0^ s'** '* \> 

<5V A * '* -^/% , 



^ v. z ° 

A ' D , * 0 * 

s a\ V ' B , 


° ^ v >. 


■‘io' 


v/> ^ ^ %^' s V<L^ r ^ ( V o 

\G s ** i . o A y o * >. 

S A M C v*. ^ <v <r > A v * B L f 

o°/Ja:',\ ,/s' ?J 


V V* 


'■'/ / s.„,V*‘ '*>/- vV-’/,..A.i 




x 00 ^. 







0 N 6 , ^ 

C> 0 * 


A 

V> V u 

« x ^ v <$» ® 

« - ^ °+ 

* * s s -^ A * ^ 1 8 4 




V ^ 
X ^ 




<v> ^ ^ 

° * " y^ c 0 N c ^ ^ '' * * s * ' 1 8 * ^ 

'O G° A^xvs P + A> 































